Stromverteilen: a drawing/contact practice as research portfolio

In the process of designating material for assessment, this portfolio for the Research module needs to go here (again). I will have posted it (likely, possibly) earlier when I used it to explore the links between BoW and Research; I also find an earlier padlet to take an earlier role, a body of work: a core, https://oca.padlet.org/gesa492645/rthyyn7qr5iz1zak), and the later Ariadne thread to point onwards into SYP (https://oca.padlet.org/gesa492645/p8217c8jsc8rx4h8).

This padlet served as digital meadow, forest/village edge to situate, explore and reach out to and beyond the various works that were emerging around the site of Stromverteilen. I also then organised towards the resolution of the For Cover BoW while this padlet held onto the numerous enquiries and abandoned (or lost) sites that preceded the village/forest edge.

I am adding pointers forward as well as any missing works that I understand Research objects into this form and link here (and on menu sideline) as key post for understanding the reach/resonance of my practice as research.

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Picking a line as research enquiry:

For the current iteration of Rachel Smith’s Practice as Research workshops, I looked at my research objects at this moment of transition between BoW/Research and SYP and made a line of enquiry to explore the methodology, the notion of a research drawing as well as what in my work presents a mobile toolkit to take elsewhere during SYP:

I will try to pick a line that…

in three parts explores
a. a Research Drawing of the space underneath the fir tree that marks the beginning of For Cover last autumn
b. the role of insolent reading (or: reading, voicing, writing in/of site with Laura Marks’ the Haptic and the Erotic as key theory for the work; and 
c. the methodology of using audio recordings while walking as theory/methodology development for Research/Body of Work

This padlet column presents an Ariadne Thread, a linear tangle of these items. It is an aid for me to talk about and for you to explore the bits that hold interest.

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Raumfaltung mit Le Guin

[spatial fold with Le Guin]

The dandelion heads

The blue cushion and the folded loop of eight,

The beheaded dog violets and the broom that is still a little almond-scented but mostly busy forming seed pods.

The half acorn mixing with my knee kind of anticipated the folded loop over a week ago,

There is repetition and recurrence of shapes and marks across the sheets that is vast and abundant.

The rabbit came and watched me for a little. I watched it in turn (and later we would meet again at the seashore one early morning).

There we sat for a moment.