Herz/Stein:: flicker/tracing books

They each relate to a drawing/contact event. I write about them in evernote and in my sketchbooks but nowhere online.

They develop out of tracing and moving pages, a curiosity how an event translates successively into mark. This translation involves much editing over a series of stages after the drawing.

#1

 

#2

#3

 

I made a talk-through the idea and books here:

 

(there are a few more events to process in this form; should I consider it strong enough — I like how it allows me to move important events into this project; am I concerned that noone knows them?)

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Die Luke (hatch):: zine/process idea

I started three interactive/performative processes during BoW 3:

• Kaleidoscope
• wild herbarium (autumn 2019 edition); and
• Die Luke (hatch)

This post concerns the latter and presents a draft idea for a self-print zine, folding instruction (1 page A4, double-sided) and an invitation to a little hide and seek investigation, and potential follow-up.

The idea is to make a single, two-sided zine for participants to print out and fold and to investigate their familiar surroundings to find some locations, to record some associations and to invite to show/share with me.

It follows ideas around un/familiar in day-to-day spaces and ideas of escapes or stepping into elsewhere (though one of the images currently doesn’t offer an escape, but literally, warmth).

The zine construction is as follows:

The images I want to use are either drawn/photographs (and possibly overlaid on previously photocopied templates):

 

The instruction would be simple:

Find Die Luke and elsewhere

Record associations, observations

Do you want to share them? show me?

imposter self and other: zine for workshop

Album [almost titled]

this is the zine (now as a revised analogue/digital edition with hand-colouring) about the imposter. it acquired an imperceptible design flaw in the file and only revealed itself half-way through my introductory performance on Saturday.
.
today i played with pullprint to make it purposeful. i had layered and moved about the initial document as part of the construction in any case, so the extra layer is a useful commentary on my imposter’s perfectionism and how she reveals herself in public:

— the workshop/ event: Imposter self and others: desperate measures that I facilitated is this one here at Rhubaba Gallery in Edinburgh on 15 June.